Çakırtaş, Ö. (2026). “From Margin to Centre.” Critical Survey, 38(3), 102–123. https://doi.org/10.3167/cs.2026.380309 (Article – WoS)
Çakırtaş, Ö. (2025). “Racialized Disability-Disabled Race in Contemporary British Theatre: Pathologizing and Prostheticizing Blackness in Debbie Tucker Green’s ear for eye (2018).” Studies in Theatre and Performance, 1–18. (Article – WoS AHCI)
Çakırtaş, Ö. (2025). “Contemporary Representations of British Muslim Identities in Early 21st-Century British Theatre.” Religion & Literature. (Article under review)
Çakırtaş, Ö. (2025). “Islamized Class and ‘the Infidel Within’ the British Drama: Contemporary British Muslim Theatre Around Race, Colour and Faith.” In Elizabeth Tomlin (Ed.), Class Acts: Material Relations and Performance Aesthetics. London: Methuen. (Book Chapter)
Çakırtaş, Ö. (2023). “Muslims and Islam in Contemporary British Theatre and the Image of the ‘British-Muslim Self’ in Guleraana Mir’s Coconut.” Performing Islam. (Article – SCOPUS)
Çakırtaş, Ö. (2022). “Edward Martyn.” In Yiğit Sümbül (Ed.), Swift’ten McPherson’a İrlandalı Edebiyatçılar. Ankara: Nobel.
Çakırtaş, Ö. (2022). “Tom Murphy.” In Yiğit Sümbül (Ed.), Swift’ten McPherson’a İrlandalı Edebiyatçılar. Ankara: Nobel.
Çakırtaş, Ö. (2021). “Racializ-ed/ing Identities on Stage: Muslims, Angst and Response in Snookered and Does My Bomb Look Big in This?” Performing Islam. (Article – SCOPUS)
Çakırtaş, Ö. (2021). “Towards the Clash of What?: Class, Race and Social Stratification in British Theatre Between 1950s–2000s.” In Gloria McMillan (Ed.), The Routledge Companion to Literature and Class. New York: Routledge. (Book Chapter)
Çakırtaş, Ö. (2020). “Immigrants as ‘Others’ of 21st Century Britain: Ethnicity, Culturo-Religious Identity and Critical Race Theory in Rachel De-lahay’s Social Realist-Political Theatre.” Litera: Journal of Language, Literature and Culture Studies, 30, 365–383. (Article – ESCI WoS)
Çakırtaş, Ö. (2020). “Pragmatism and Politics Intertwined: The West, the East, the Suez Crisis and the Inter/national Hegemony in James Graham’s Eden’s Empire.” In Katherine Kwong (Ed.), Eastern and Western Synergies and Imaginations. Leiden: Brill. (Book Chapter)
Çakırtaş, Ö., & Chirico, M. (2020). “Death and the King’s Horseman by Wole Soyinka.” In Miriam Chirico & Kelly Younger (Eds.), How to Teach a Play: Exercises for the College Classroom. New York: Bloomsbury Publishing. (Book Chapter)
Çakırtaş, Ö. (2019). “Semi-Patriographic and Patographic Beckett: The Politics of Son’s Writing Father and Family in Endgame.” In Katarzyna Bronk (Ed.), Experience’d Age Knows What for Youth is Fit? International Conflict in British and Irish Drama and Theatre. Oxford: Peter Lang. (Book Chapter)
Çakırtaş, Ö. (2018). “The Politics of the New World Order: Anders Lustgarten’s Dramatization of Immigrants, Nationalism and Xenophobia in A Day at the Racists.” In Kimberly Drake (Ed.), Critical Insights: Literature of Inequality. Salem Press. (Book Chapter)
Çakırtaş, Ö. (2018). “The Image of Narrative Prosthesis in McDonagh’s The Pillowman: Normality vs. Psychopathology.” Litera: Journal of Language, Literature and Culture Studies, 28(1), 33–51. (Article – ESCI WoS)
Çakırtaş, Ö. (2018). “Vahşet Tiyatrosu ve Şiddetin Politiği: Edward Bond Örneği.” Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 35(1), 10–19. (Article)
Çakırtaş, Ö. (2017). “İngiliz Kuklası Punch ve Judy’nin Bir Temsili Olarak Bernard Shaw’un Modern Kukla Oyunu Shakes Versus Shav (Shakes Shav’a Karşı).” Millî Folklor Uluslararası Kültür Araştırmaları Dergisi, 114. Sayı, Haziran. (Article – AHCI WoS)
Çakırtaş, Ö. (2017). “The Dramatization of Cultural Hybridity and the ‘In-Between’ Turkey in Necip Fazıl’s Künye.” CLCWeb: Comparative Literature and Culture, 19(1). (Article – AHCI WoS)
Çakırtaş, Ö. (2017). “Drama, Minorities and the Ottoman Empire.” Mersin University Journal of Language and Literature, 14(1), 23–33. (Article)
Çakırtaş, Ö. (2017). “Mustapha and Greville: The Politics of Anglo Ottoman Diplomacy and Machiavellian Identities in Early Modern English Drama.” In Önder Çakırtaş (Ed.), Ideological Messaging and the Role of Political Literature. PA: IGI Global. (Book Chapter)
Çakırtaş, Ö. (2017). “Nontrivial Simplicity of the Absurd: One Sentence Utterances and Unordinary Politics in Harold Pinter’s Mountain Language.” In Banu Akçeşme, Hasan Baktır & Eugene Steele (Eds.), Interdisciplinarity, Multidisciplinarity and Transdisciplinarity in Humanities. Newcastle upon Tyne: Cambridge Scholars Publishing. (Book Chapter)
Çakırtaş, Ö. (2017). “Biography of Richard Frankland.” Author Profiles Database. Ipswich, MA: EBSCO Publishing. (Online)
Çakırtaş, Ö. (2017). “Biography of Anthony McCarten.” Author Profiles Database. Ipswich, MA: EBSCO Publishing. (Online)
Çakırtaş, Ö. (2017). “Biography of Caroline Azar.” Author Profiles Database. Ipswich, MA: EBSCO Publishing. (Online)
Çakırtaş, Ö. (2016). “Politics of Existence in Beckett’s Endgame and Waiting for Godot: ‘Yesterday’ as the Only Timeframe, and Egocentric Characters.” Forum for World Literature Studies, 8(1), 117–127. (Article)
Çakırtaş, Ö. (2016). “On Shakespearean Politics and Elizabethan Masculinities: Androcracy vs. Gynocracy.” In P. Prayer Elmo Raj (Ed.), Literature and Culture: Challenges and Prospects. New Delhi: Authorspress. (Book Chapter)
Çakırtaş, Ö., & Şekerci, Ö. (2015). “Bernard Shaw and Politics.” International Journal of Language Academy, 3(4), 340–348. (Article)
Çakırtaş, Ö. (2015). “A Reading in the Light of Said’s Orientalism: Arminius Vambery’s Travels in Central Asia and Political Theatricality.” The Journal of Academic Social Sciences, 3(21), 386–396. (Article)
Çakırtaş, Ö., & Şekerci, Ö. (2014). “Developmental Psychology Rediscovered: ‘Negative Identity’ and ‘Ego Integrity Versus Despair’ in Samuel Beckett’s Endgame.” International Journal of Language Academy, 2(2), 194–203. (Article)
Çakırtaş, Ö. (2014). “To the Lighthouse: Woolf’s Search for the Meaning of Life Through Colors.” Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 17, 53–60. (Article)
Çakırtaş, Ö. (2013). “Double Portrayed: Tituba, Racism and Politics.” International Journal of Language Academy, 1, 13–22. (Article)
Çakırtaş, Ö., & Gülüştür, E. (2013). “Arthur Miller’in Death of a Salesman Oyununda Amerikan Rüyası ve Çöküşü.” The Journal of Academic Social Science, 1(1), 1–11. (Article)
Çakırtaş, Ö. (2013). “Desperate Man versus Desperate Woman: The Ideal Victim in Emily Brontë’s Wuthering Heights.” Kafkas Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 12, 3–13. (Article)
Çakırtaş, Ö. (2012). “Ann Petry ve Amerikan Romanında Etnisite ve Irkçılık.” Bingöl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2(3), 87–92. (Article)